Caribbean Currents
Caribbean Music from Rumba to Reggae
Peter Manuel, Kenneth Bilby, Michael Largey
This is an exploration of the region's music - its forms and innovations, musicians, festivals, and dance halls, its fans - and traces its African, Asian and European roots. This book is oriented toward a few distinct yet overlapping sets of readers. One group contains the music lover who has taken a fancy to some kind of Caribbean music and would like to know more about the background of that style and about the region's music as a whole. Another set includes the student of Caribbean society or of pan-American society in general, who seeks an introduction to this most dynamic aspect of the hemisphere's culture.
Published: 1996
Pages: 288
eBook: 9781899365678
Paperback: 9781899365074
| Preface | |||
|---|---|---|---|
| Map | |||
| The Caribbean at a Glance | |||
| l. Introduction: The Caribbean Crucible | |||
| The Indian Heritage | |||
| The Mrkan Heritage | |||
| Patterns of Musical Retention | |||
| The European Heritage | |||
| Creolization | |||
| 2. Cuba | |||
| A Day in Havana, 1986 | |||
| The Cuban Crucible | |||
| Mrkan-derived Musks | |||
| Rumba | |||
| A Music Festival in Santiago de Cuba | |||
| European~derived Musks | |||
| The Son and Modern Cuban Dance Musk | |||
| "Socialism with Pachanga" | |||
| 3. Puerto Rico | |||
| Cuba and Puerto Rico: 'The Two Wings of the Same Bird" | |||
| European-derived Musks | |||
| The Fiesta de Santiago Apostol at Loiza Aldea | |||
| Plena and Bomba in the Dance Hall | |||
| Music and the Puerto Rican Diaspora | |||
| 4. Salsa and Beyond | |||
| The Son Sires a Son | |||
| Ruben Blades: The Cutting Edge | |||
| Style and Structure | |||
| The Salsa Life | |||
| Salsa Lite? | |||
| Latin Rap | |||
| Nueva Cancion | |||
| 5. The Dominican Republic | |||
| The Emergence of Merengue | |||
| The Merengue Tipico of Cibao | |||
| The Merengue as National Symbol | |||
| The Modem Merengue | |||
| The Merengue Invasion | |||
| Merengue Style and Dance | |||
| Bachata: Songs of Bitterness | |||
| Juan Luis Guerra | |||
| 6. Haiti and the French Caribbean | |||
| Music in the Streets ofPort-au-Prince | |||
| Haitian Cultural Crossroads | |||
| Creolization in Haiti: Language | |||
| Creolization in Haiti: Religion | |||
| Carnival and R.ara | |||
| Misik Twoubadou | |||
| Haitian Dance Music | |||
| Politics and the Haitian Diaspora | |||
| Vodou-Jazz Today | |||
| Music in the Lesser Antilles | |||
| 7. Jamaica | |||
| 1976: Traveling through Reggae's "Golden Era" | |||
| Music in a Downtown Style: Recording the Unrecorded Kumina in a Trench Town Style: One Thread Out of Many | |||
| Roots and Culture: Downtown Triumphant | |||
| Techno-Roots: From Reggae to Ragga | |||
| Coda: Rasta Kumina ina Raggamuffin Style | |||
| 8. Trinidad, Calypso, and Carnival | |||
| The Development of Calypso and Carnival | |||
| Calypso in Colonialism | |||
| Modem Calypso and Carnival | |||
| Calypso and Gender | |||
| The Carnival Context | |||
| Steel Band | |||
| Calypso and Carnival outside Trinidad | |||
| 9. The Other Caribbean | |||
| East Indians in the West Indies | |||
| Introducing the Popular Music of Suriname | |||
| Kmeko: Enter the Strings and Horns | |||
| Aleke: The Drum Rules Again | |||
| 10. Five Themes in the Study of Caribbean Music | |||
| Unity and Diversity in a Continent of Islands | |||
| Race and Ethnicity | |||
| Music, Sex, and Sexism | |||
| Caribbean Music International | |||
| Music and Politics | |||
| Glossary | |||
| Notes | |||
| Index |
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